acrylic on canvas

48 × 36 in.
24 × 18 in.
20 × 16 in.

2022

availability upon request

the seeds series began as an exploration of symmetry, containment, and psychological structure. each form is drawn freehand without measurement, allowing intuition to guide compositions that appear precise while remaining subtly irregular. the resulting shapes occupy a space between order and disruption, balancing control against unpredictability.

developed over several years, the series reflects an ongoing investigation into the relationship between internal experience and external presentation. the forms function as containers, boundaries, or protective architectures, proposing structure as both refuge and restraint. their symmetry suggests stability, while slight asymmetries and shifts in proportion introduce tension beneath the surface.

rendered through stark contrasts of black and white, figure and void, the works examine how opposing forces can coexist within a single form. the compositions neither resolve nor collapse. instead, they remain suspended in a state of equilibrium, holding contradiction without seeking conclusion.

while rooted in personal experience, the seeds resist fixed symbolism. each painting operates as a visual proposition, exploring containment, transformation, and the complex negotiation between conscious order and subconscious complexity.

seed i

metal, resin, cement, auto paint

185 cm

2025

available

seed i is the first fully realized sculpture in the seeds series, translating a freehand geometric drawing into a three-dimensional form situated between object, architecture, and symbolic structure. developed through an iterative process of construction and refinement, the work preserves the irregular symmetries, contained tensions, and spatial ambiguities that define the broader body of work.

constructed from metal, resin, cement, and automotive paint, the sculpture extends the series’ investigation into the relationship between internal experience and external form. angular planes converge and fracture, generating a structure that appears simultaneously stable and unsettled. despite its structural complexity, the work maintains a quiet equilibrium, as though suspended between emergence and collapse.

through scale, materiality, and spatial presence, seed i explores systems of containment, control, and transformation. neither wholly abstract nor representational, the form functions as a physical manifestation of forces that remain unseen, occupying a territory where psychological conditions become architectural ones.

like the broader seeds series, seed i examines the relationship between conscious order and subconscious complexity. structure operates not as resolution, but as a framework through which contradiction, restraint, and instability may be held in equilibrium.

stone sculptural concept

2026

concept available upon request

the seed pools extend the logic of the seeds series into functional space, proposing carved stone forms that operate as both sculpture and functional object. derived from freehand geometric studies, the works translate the visual language of the drawings into inhabitable structures defined by fractured edges, contained voids, and irregular symmetry.

conceived as monolithic stone works, the forms continue the series’ investigation into containment, transformation, and psychological architecture. their scale invites physical occupation while preserving the tension between stability and disruption that characterizes the broader body of work.

positioned between domestic object, architecture, and artifact, the pools examine the relationship between interior experience and external structure. volume becomes both vessel and boundary, proposing space itself as a material through which control, ritual, and reflection may be negotiated.

like the broader seeds series, the seed pools explore how opposing conditions may coexist within a single form. function and symbolism, monumentality and intimacy, permanence and transformation remain suspended in a state of productive equilibrium.

digital animation

2024

edition information available upon request

the digital works extend the seeds series beyond the static image, translating freehand drawings into animated forms that occupy a space between object, signal, and artifact. developed through a multi-stage digital process, the series transforms intuitive marks into structures capable of movement, duration, and continual reconfiguration.

through slow rotation and subtle shifts in perspective, the animations reveal relationships that remain fixed within the paintings. forms unfold across time rather than surface, allowing symmetry, disruption, containment, and imbalance to emerge as active conditions rather than static compositions.

suspended within minimal environments, the structures resist clear categorization. they appear simultaneously architectural and biological, familiar and alien, functioning less as representations than as propositions. the series occupies a territory where drawing becomes object and object becomes signal.

like the broader seeds series, the digital works investigate the relationship between conscious order and subconscious complexity. structure and instability coexist within a single form, creating compositions that remain suspended between equilibrium and transformation.

ostrich quill, 14k white gold

2023

availability upon request

septum is a series of sculptural interventions constructed from naturally shed ostrich quills mounted in 14k white gold. worn through the nose, the works occupy a charged territory between adornment and defense, transforming a naturally occurring form into an object that is both intimate and confrontational.

the series emerged from an ongoing investigation into containment, self-preservation, and bodily boundaries. each piece activates the threshold between interior and exterior, vulnerability and protection. worn on the face, the quills function as extensions of the body while simultaneously establishing distance, asserting presence through restraint rather than ornamentation.

unaltered in their essential form, the quills retain their natural sharpness and structural integrity. this tension between refinement and rawness remains central to the work. precious metal settings frame rather than transform the material, allowing its inherent qualities to remain visible.

through simplicity of gesture and material, septum examines how identity is communicated, protected, and negotiated. the works operate as visible boundaries, occupying a space where beauty, defense, exposure, and concealment coexist. like the broader practice, the series explores the relationship between external presentation and internal experience, proposing adornment as both expression and protection.